Or perhaps it’s a combination of all these factors. Also, the iPhone 15 models support Smart HDR 5. Maybe Apple wants me to upgrade to the iPhone 15 to get better photos. What is different is the mention of support for superhighresolution photos (24MP and 48MP) on the iPhone 15 specs and comparison pages. Apple didn’t detail it during the iPhone 15 event. Maybe that chip has a new image signal processor that’s different from the A16 Bionic powering the iPhone 14 Pro. It could have to do with the iPhone 15’s A16 Bionic. What about the iPhone 14 Pros?Īpple doesn’t explain it. Given the iPhone 15 Pros and iPhone 14 Pros have essentially the same camera setup - the iPhone 15 models have nearly identical cameras to the iPhone 14 Pro - and that the same A16 Bionic powers the iPhone 15 and iPhone 14 Pro, I can’t understand why the iPhone 14 Pro doesn’t get the 24-megapixel default bump. Going for the full 48-megapixel resolution means a slight delay. Camera specs never tell the full story when it comes to the iPhone, and this year’s iPhone 15 and iPhone 15 Pro announcements reinforce how extensively Apple melds hardware and software to capture and create photos. So what you end up with in the 24, it’s a bit of a ‘Goldilocks moment’ of you get all of the extra dynamic range that comes from the 12 and the detail transfer that comes in from the 48.įurthermore, you get zero shutter lag when you shoot 24-megapixel like I do when I take 12-megapixel pics on my iPhone 14 Pro. Here’s how to use image capture in this situation: 1 After connecting your iPhone to your Mac, now wait for the syncing procedure. However, image capture can be slower and requires more steps to complete the process. Alternatively, you can select photos individually. If you can’t upload an image from your iPhone using Photos, try Image Capture. Use the keyboard shortcut Command - A to select all the photos. Because just in the little bit of processing time available we can get a bit more dynamic range into Deep Fusion. Setting up Image Capture Connect for Mac. Then, the 48 is an ‘extended dynamic range,’ versus ‘high dynamic range,’ which basically just limits the amount of processing. There is, basically, a bigger bracket between the 12 high and the 12 low. Because when shooting at 24-megapixel, we shoot 12 high and 12 low - we actually shoot multiple of those - and we pick and then merge. You get a little bit more dynamic range in the 24-megapixel photos.
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